How movies are being made today.
What director Jon Favreau and the cinematographers and animators of The Mandalorian relied on was actually as simple as good old-fashioned projection screen filming — except this is about a bajillion times more realistic than footage rolling in the background while someone gratuitously turns a steering wheel.
That’s thanks to a 20-foot high, 270-degree semicircular LED video wall, which displayed locations from the ice world of Maldo Kreis to the sinister hideout of The Client. These environments were edited in real time, right up to shooting, and allowed Pedro Pascal, Gina Carano, Werner Herzog, et al., to interact as if they were in a physically built space.
In Realtime indeed.
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