Thursday, November 05, 2026

Gaussian Splats, a gateway to better hearing

 

Wireframe and render of a fine art model done in 1982, was created by yours truly on Phil Mittleman's SynthVision Modeler, the first true 3D mainframe terminal. Why the image? Because this CSG/Constructive Solid Geometry technology directly relates to Gaussian Splats in deep fashion if one takes the time to look.

Question, what is a Gaussian Splat?

Gaussian splatting is a volume rendering technique that deals with the direct rendering of volume data without converting the data into surface or line primitives.[1] The technique was originally introduced as splatting by Lee Westover in the early 1990s.[2][3]

In other words, a voxel.

In computing, a voxel is a representation of a value on a three-dimensional regular grid, akin to the two-dimensional pixel. Voxels are frequently used in the visualization and analysis of medical and scientific data (e.g. geographic information systems (G.I.S.)).[1] Voxels also have technical and artistic applications in video games, i.e. Minecraft (2011) makes use of an entirely voxelated world to allow for a fully destructible and constructable environment.[2] 

Splats are point clouds


Splats capture the external geometry of objects in near realtime as seen by the video below.


Applications ... it goes beyond just imagery. :)

Yours truly has a cochlear implant so this take is personal ...

Acoustic Splats and the DSP Hum: Rendering Sound in the Inner Ear

The physical hardware inside a modern cochlear implant is a marvel of biological engineering. Below the DSP (Digital Signal Processing) threshold, the physical implant's superb. But cross the threshold and the software reveals its brittle, brute-force nature. You don't just get clean audio; you get a parasitic hum working in concert with the
perceived sound.

Why? Because traditional DSP software treats a 3D fluid-filled biological spiral like a cheap 2D speaker.
It forces a rigid, linear grid of frequencies into an organic chamber and the hum is the sound of an algorithm fighting the natural environment.

This is where the tech industry's sudden leap into 3D Gaussian splatting crosses the sensory boundary. Visually, a Gaussian splat isn't a rigid polygon or a straight-line grid. It is a continuous, mathematically defined volume of energy that radiates outward—geometry built from the inside out. In essence, a point cloud operating in real time.

If we take that exact volumetric engine and apply it to audio, the paradigm flips. Instead of blasting a flat frequency wave, the software would generate volumetric acoustic splats. The implant ceases to be a dumb speaker and becomes a spatial router. It calculates the exact geometric topology of the patient's inner ear and renders the acoustic energy spatially to fit the container. The harmonic hum disappears because the sound is no longer fighting the physical geometry; it is flowing into it, perfectly intersected. We just need to stop forcing straight lines into spaces where energy naturally radiates from within. The 22 channel ribbon in the cochlear connect to an external sound processor is astounding. The code is not.

Talking CSG, Medical & Splats

Again ... a voxel is a representation of a value on a three-dimensional regular grid, akin to the two-dimensional pixel. Voxels are frequently used in the visualization and analysis of medical and scientific data (e.g. geographic information systems (G.I.S.)).[1] 

In medical, They comprise the core component of MRI slices where the in-between connection of neighboring slices, aka lofting, are voxels connecting identical coordinates keyed to the two adjacent slices. Seen below is a video showing a journey through a set of slices made possible by voxels connecting the 3D coordinates of each slice as needs warrant.


Which means real data can be incorporated into splats, as per medical, when the splat in question contains the point cloud appropriate for the data to be integrated in. CSG/B-Rep is the tech capable of doing the insertion as the models contained in the tech are real 3D entities, not 2D polygons.


Taking this to the extreme means the transporter becomes viable as 3D can now be directly extracted
from imagery and video and transported to remote locations as needs warrant.

Something to think about don't you think?

The Register ...


Snarky, irreverent, a treasure. A site cutting through tech BS to show the underside of an
industry in most entertaining fashion, never disappoints. :)

To wit

The first technology created with a self-disrupt button...
But why oh why didn't they call Claude clone
Fauxtoshop?

As it was written, so it has come to pass. A while back, we suggested that given how good AI was at code analysis, it would become possible to clone large applications. And then where would we be?

Here, that’s where. An industrious individual has released source code and binaries for Claude-copied Microsoft Office and Adobe Creative Suite programs, disappointingly not calling elements of the latter Fauxtoshop.

They’re in pre-alpha states of incomplete bugginess, but with substantial functionality, which is proof of how insanely productive AI can be given a task needing zero creativity and wearing "This is what a proof of concept looks like" and "Unintended Consquesences" T-shirts.

They could also add Karma Police to their wardrobe. It’s clear that Microsoft and  Adobe are facing some competition from what their rival describes as "clean-room reimplementations." It’s also unclear that there is any law against it. You can’t copyright functionality, the code has been generated in Rust with claimed clean-room conditions, and while there may be something in claiming that the works are substantially derivative, there’s a big problem here. 

Companies that sell AI trained on the biggest theft of IP in history are going to need unmatched legal dexterity to claim that AI shouldn’t be allowed to sully their own IP. Chutzpah used to be defined as a child on trial for murdering their parents begging for mercy on the grounds that they’re an orphan. We’ll have to update.

Any questions? :)

Monday, November 02, 2026

Why Patrick Stewart was cool



Ah, he was far beyond that because ...

He was a devotee of ...




Me too. He was a man comfortable with himself. It was never about him, it was about the work and all the commentary of all the people who worked with him proves this take to be true.

Like so many, I too will miss him. The next great actor I will miss, when he passes, will be Ian McClellan, Stewart's best friend and partner in crime in Samuel Beckett's Waiting for Godot with Stewart asVladimir
& McClellen as Estragon. 


Lest we forget, the two also were friends and adversaries in the X Men series with
Stewart as Professor Charles Xavier (Professor X) and McClellen as Erik Lehnsherr (Magneto)


No longer hope :)



No longer hope, both houses went blue! Now, can the dems delivery. Term limits, job No. 1 awaits. 

Friday, October 30, 2026

The odd notion of time ...



Seems one doesn't need a clock to see how reality unfolds so ... the question to ask is, is time emergent?




The musings continue ...


Gravity Well

Back in 2012, yours truly talked about time, entanglement and the quantum foam in a piece titled Entanglement, the Link to Forever, stating that time may be a temporary arrangement of the quantum foam as said foam would be timeless but artifacts like protons, neutrons and sub atomic particles coming out of it would be but temporary arrangements of the QF, thus experiencing the notion of time. Well, it seems researchers far more versed that moi have expressed the same concept indirectly referencing the brilliant ER=EPR conjecture created by Leonard Susskind and Juan Maldacena in 2013.[3] 

In essence, the collapse of the wave function allows time to emerge.




Click here for the paper. 

500 billion ... Killing the golden goose applies.



Content is king, now, Google's finally finding out this old trope rings true as AI Slop and freezing out publishers
to nuke search in order to make ever more money by screwing over said publishers
has blown up in it's face and for good reason.









Killing the golden goose applies ... 

Solar's now primetime ...



Solar's now primetime ...

As stated before, Solar's now primetime ...

The Sting

 


Wonderful film, witty, funny and above all else, one bought into the vibe of the 30's with complete satisfaction.
Now, it's 2026 and another hustle is underway with Anthropic's IPO where insiders get to bail out when shares are the most valuable, similar to how insiders did the very same thing with Space X.

The con ...

Tuesday, October 27, 2026

Pushing electrons thru silicon at scale doesn't scale ... efficiently


 Angular Momentum

How to gin up the IPO. You got to fund us to protect you from US. The Twilight Zone applies.



The smell of desperation applies when you factor in an 80 billion loss against 16 billion in profits Think 64 billion as net loss, and combine this with a possible 750 billion needed to keep the system running does not portend a happy ending because the bond guys are starting to get twitchy and for good reason. 

It's the ultimate Silicon Valley protection racket, and it is Dr. Strangelove writ large. Anthropic's built a computational Doomsday Machine, and now are holding a multi-billion-dollar funding round to figure out how to build the off switch but they don't have one. Rod Serling couldn’t have scripted a better episode.

But if we cut through the IPO hype and look at this through a purely architectural lens,
this 93-page apocalyptic disclaimer is actually a confession.

Why are the creators of this technology terrified of it? Because they have absolutely no structural control over it. Anthropic, much like DeepMind and OpenAI, has bet the house on probabilistic brute force. Their models are statistical guessing engines, floating in a digital void with no physical constraints, no geometric boundaries, and no anchoring in physical reality. When you build a system that relies entirely on hallucinating the right answer, of course you lose sleep worrying about what it might hallucinate next.

The emperor has no clothes. The problem is the fact uninformed investors don't know this but they will. Physics doesn't care. Pushing electrons through silicon at scale doesn't scale ... efficiently.

As proof ...







Again, pushing electrons through silicon at scale doesn't scale ... efficiently. 

The Spider's Web



Popular Mechanics nailed it in terms of powerful cheap tech and what it can do to legacy systems.
In reading the PM post, the connect to The Center of Gravity/Rev II rings true
if the US stupidly attacks Iran yet again. 

To wit

The Bones could have been caught in the Spider’s Web.

That might read like a sentence from a Stephen King novel on the surface,
but if you parse through the military parlance, what it says
is far more haunting.

The “Bones” in question are the U.S. Air Force’s Rockwell B-1 Lancers, a supersonic bomber that airmen affectionately call a “Bone” (as in “B One”). In early October, the USAF had to quickly evacuate a contingent of 12 B-1s from an English airbase when the Pentagon suspected they were vulnerable to an attack modeled on Ukraine’s Operation Spider’s Web.

The Air Force moved so fast that there wasn’t even time to pull together a refueling plan, according to a Carnegie Endowment for International Peace commentary by Steven Feldstein. The aircraft represent “one-quarter of Washington's B-1 arsenal”— an estimated $3.8 billion in hardware. The concern was that these supersonic bombers were acutely vulnerable to a threat parked just outside the fence: unmarked vans.



But it wasn't.

In June 2025, Ukraine launched Operation Spider’s Web, a drone attack the New York Times described as
“a signature event on par with sinking the Russian flagship Moskva early in the war.” Instead of vans, Ukraine used “custom-made wooden modular cabins,” per a West Point report, concealing 150 drones and 300 explosive payloads in their roofs.


Serious airplane, serious vulnerability.