This all too common trait expressed endlessly by cops, politicians and academics of all stripes, contradicts
The Elements of Style in ways boggling the mind.
The Elements of Style in ways boggling the mind.
From “asymmetric allylation of aldehydes” to “pneumatological and apocalyptically eschatological foundations”, PhD abstracts had an unmistakably scholarly aroma. We found that, in every discipline, the abstracts have become harder to read over the past 80 years. The shift is most stark in the humanities and social sciences (see chart), with average Flesch scores falling from around 37 in the 1940s to 18 in the 2020s. From the 1990s onwards, those fields went from being substantially more readable than the natural sciences—as you might expect—to as complicated. Ms Louks’s abstract had a reading-ease rating of 15, still more readable than a third of those analysed in total.
This is THE BOOK to read if you want to learn how to write. Concise, witty and above all else, competent, this little tome points the way to good writing with short commandments already adhered to by heavyweights like Hemingway, Faulkner and Orwell. Every time I reread Elements, I think of Orwell, master of the active tense and the self proclaimed enemy of turgid prose as seen by his insightful essay, Politics and the English Language.
- Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
- Never use a long word where a short one will do.
- If it is possible to cut a word out, always cut it out.
- Never use the passive where you can use the active.
- Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
- Break any of these rules sooner than say anything outright barbarous.


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